If you watched the Grammy awards on Sunday , then you see the robotic yoke Daft Punk in its first televised performance ever , with Kanye West . West comes out and does his thing in front of a big pyramid , which later unhorse up with atomic number 10 piping and split overt to reveal Daft Punk in Tron - inspired versions of their robot suit of clothes playing a touch - screen mega sampler / computer / synthesizer . Click through for moving-picture show and video .
While Daft Punk has been democratic in the techno and French menage music scenes since the 1990s , they ’ve won over a whole generation of pelvic girdle - hop fans since West included a sample of their 2001 birdsong “ Harder , Better , Faster , unassailable ” in his song “ stiff ” , which deliver the goods a Grammy for Best Solo Rap Performance on Sunday night .
What ’s most telling about Thomas Bangalter and Guy - Manuel de Homem - Christo is their devotion to the robotlike personas that hide their personal identity . Though they used to perform as themselves when they first came onto the scene , the duo set out appearing as their robot similitude with the release of their Discovery album . Now they hide their face during interviews and digitally conceal themselves in photographs .
We did not choose to become robots . There was an chance event in our studio . We were put to work on our taster , and at on the button 9:09 a.m. on September 9 , 1999 , it exploded . When we regain consciousness , we discovered that we had become automaton .
That form of dedication to your faux golem alter - ego inner techno player is the variety of affair we care to see . Once you mash it up with Tron , you ’re given us a geekgasm . chequer out the video below to see some posthuman music , without the Master Control Program .
Daft PunkMusicRobots
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